This volume brings together nineteen important articles by Pamela M. King, one of the foremost British scholars working on Early English Drama. Unique to this collection are five articles on the 'living' traditions of performances in Spain, discussing their origins and the modes of production that are used. Several articles use modern literary theory on aspects of early drama, whilst others consider drama in the context of late medieval poetry. The volume also includes a rich collection of articles on English scriptural plays from surviving manuscripts.

Newest research into drama and performance of the Middle Ages and Tudor period. Medieval English Theatre is the premier journal in early theatre studies. Its name belies its wide range of interest: it publishes articles on theatre and pageantry from across the British Isles up to the opening of the London playhouses and the suppression of the civic religious plays , and also includes contributions on European and Latin drama, together with analyses of modern survivals or equivalents, and of research productions of medieval plays. The papers in this volume explore richly interlocking topics. Themes of royalty and play continue from Volume 43. We have the first in-depth examination of the employment of the now-famous Black Tudor trumpeter, John Blanke, at the royal courts of Henry VII and Henry VIII. An entertaining survey of the popular European game of blanket-tossing accompanies the translation of a raucous, sophisticated, but surprisingly humane Dutch rederijkers farce. The Towneley plays remain fertile ground for further research, and this blanket-tossing farce illuminates a key scene of the well-known Second Shepherd's Play. New exploration of a colloquial reference to 'Stafford Blue' in another Towneley pageant, Noah, not only enlivens the play's social context but contributes to important current re-thinking of the manuscript's date. Two papers bring home the theatrical potential of food and eating. We learn how the Tudor interlude Jacob and Esau dramatises the preparation and provision of food from the Genesis story. Serving and eating meals becomes a means of social, theological, and theatrical manipulation. Contrastingly, in the N. Town Last Supper play and a French convent drama, we see how the bread of Passover, the Last Supper, and the Mass could be evoked, layered and shared in performance. In both these plays the audiences' experiences of theatre and of communion overlap and inform each other.

This volume brings together nineteen important articles by Pamela M. King, one of the foremost British scholars working on Early English Drama. Unique to this collection are five articles on the 'living' traditions of performances in Spain, discussing their origins and the modes of production that are used. Several articles use modern literary theory on aspects of early drama, whilst others consider drama in the context of late medieval poetry. The volume also includes a rich collection of articles on English scriptural plays from surviving manuscripts.

The Yearbook of English Studies 2013 is devoted to early English drama, ranging from what is generally understood as 'medieval' to plays of the early Tudor period, while also including chapters on modern theatrical responses to the surviving corpus of texts. The volume is edited by Pamela King (Professor of English at the University of Glasgow), Sue Niebrzydowski (Senior Lecturer in Medieval English Literature at Bangor University, Wales) and Diana Wyatt (Research Associate at the University of Durham). This rich and varied collection is deliberately loosely ordered in order to encourage the reader to think again about the old canonical categories, particularly 'mysteries' and 'moralities'. The authors lead the reader to engage with recent scholarship in the field which has, for example, drawn on archival research into lost plays to question old certainties about genre, about chronology, and about evolution, and which has taken another look at surviving texts in ways that resist categorization, and found them to be more problematic than hitherto assumed. This volume does not aim to offer coverage of new work in a known field, so there is, for example, no essay dedicated to the York Cycle, although references to it are shot through the whole. Rather, individual chapters reflect not only their authors' specialist sub-fields but also a variety of approaches, from the study of sources and the materiality of surviving witnesses to the texts, to various critical readings and approaches, to studies in the history of staging. In addition, essays on modern productions stake the claim for a new and distinct area in the study of medievalism, as modern authors and producers draw inspiration from the original early scripts. The reader will encounter old favourites in this volume - the Towneley Plays, the Chester Cycle, The Castle of Perseverance, Ane Satyre of the Thrie Estaitis, to name a few - as well as Bewnans Ke, the Cornish saint's play discovered only in 1999, and an intriguing mixture of hagiography and Arthuriana. Equally, the reader will be led to reconsider some lesser-read texts and to encounter traces of wonderful plays which have been lost forever. Overall, the volume seeks to engage with a dramatic tradition which was at once richer and more varied than has been conventionally imagined.

The annual Journal of the Early Book Society for the Study of Manuscripts and Printing History is published by Pace University Press. The greater part of each volume is devoted to four or five substantial essays on the history of the book, with emphasis on the period of transmission from manuscript to print. The main focus is on English and continental works produced from 1350 to 1550. In addition, the journal includes brief notes on manuscripts and early printed books, descriptive reviews of recent works in the field, and notes on libraries and collections.

An investigation into the connections between the York Plays, religious observance, and the role played by the city itself. WINNER of the 2007 David Bevington Prize The York Play is the earliest near-complete English civic mystery cycle. It evolved constantly throughout its long performance history, but the text that was recorded in the YorkRegister shows that it was already a mature and elaborate civic festival by the time it was written down. This study uncovers the Cycle's connection with worship in York, in the sense both of devotional practice and of civichonour, informing a particular period in the cultural history of the city. The pageants in the Register show in their different ways how the community which devised and performed the Cycle regarded the celebration of the great summer feast of Corpus Christi. Moreover the principles of selection that give the Cycle its structure reflect the broader pattern of the liturgical calendar, with its other feasts and fasts. The Cycle bears witness not only to thepractices of religious observance in York, but also to the ecclesiastical politics in which the city was caught up from the very beginning of the fifteenth century. PAMELA KING is Professor of Medieval Studies at the University of Bristol.

This volume offers 22 of the central pageants which make up York's famous Corpus Christi cycle. The York cycle is the oldest and best-known of the English mystery cycles, and its depth and scope are reflected in the selection printed here. The shape of the cycle was governed by subject matter of enduring spiritual significance, both to its contemporary audience and in later literary and artistic tradition, and the selection reflects these concerns. Included are plays on the Creation, the Fall of Man, the Incarnation, Passion, and Resurrection of Christ, and the Last Judgement. The Passion sequence has been expanded by six of the eight plays generally attributed to the great poetic dramatist known as the York Realist: the authentic text of these plays is not otherwise available in paperback. As well as providing detailed annotation, this edition offers an introduction which examines the history of the cycle and discusses the immensely popular modern productions in York and elsewhere. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.